
I think I will have to do the same for the regular MGIV. The Ilford paper was able to show well in the pack against papers that one would look at as higher grade stock. MGIV warm tone at f2 filter Dmax: 2.34 prints to 12 (1.83 density, base. Galerie G3: Dmax: 2.30 prints to 21 (1.83 density base.11 reflected light cream color). G3: Dmax: 2.16 prints to step 12 (1.83 density, base. G2: Dmax 2.16 prints to 13 (1.83 density, base white. Nuance I think I'm going to like real well. 10 reflected, neutral color), F2 almost 12 (1.83 density). Bromide F3 Dmax: 2.06 will max out at the10th step (1.37 density,base white. The Bromide paper had the least DR, so it will work well with a. I just did a 21 step stoffer test with all my paper. 12 images, with backing and over-mat.Sorry for being so long in getting back to you, just noticed the reply. Mat-board…must be archival, acid-free, or 100% rag, white-core Portfolio case or print sleeves with 3-ring binder TOWEL and apron (and/or grungy clothes to change into) Dishwashing Gloves (big heavy ones are the best) Arista EDU Ultra FB VC Glossy (great value, available only from RC paper for contact sheets and film speed tests only.įor Contact Prints/Work prints : 8x10 RC multigrade paper, glossy (25-100 sheets, any brand okay).Kentmere Fineprint VC FB Neutral Tone Glossy.Oriental Seagull VC FB Glossy (classic brand, high quality).Note that MG stands for “multigrade,” VC for “variable contrast,” which all means the same thing: If you prefer matte, start with a smaller box of glossy and buy matte paper later. For starters, get either 25 or 100 sheets of glossy. Single rolls of film can be purchased at SUPstoreĨx10 or 11x14, 100 Sheets.

Large-format (optional) 4x5 (ask instructor).Seek quickest option to get started and then order more as necessary. You will need 4-5 rolls of film right away to get started.of film You need enough for 35 rolls of 24 exp. If you still have a bulk loader from Art218, get 100 ft.35mm Film Camera with full manual operation (adjustable f-stops and shutter speeds) Working light meter – either built-in to camera or handheld Tripod and cable release, or timer on camera (optional)įilm: Ilford HP5+ (ISO 400) or Kodak Tri-X, recommended
